ProonK Mother’s Day Sale & Memphis Metal Museum

I have great news times two today! Especially for everyone who is still looking for the perfect Mother’s Day gift.

#1: From today until May 12, ProonK will have a Mother’s Day SALE online at the ProonK Etsy Store. 10% of the item price will be discounted when entering the Promo Code ‘MothersDay14’ during checkout. Also, keep in mind that worldwide shopping is free!

#2: ProonK Jewellery will be available at the Memphis Metal Museum Shop soon! I am super excited about the possibility to show there. Please go and have a look, if you’re in Memphis!

button earrings lime green, gem green hand‘Lace Button’ Earrings, 999 Fine Silver, Enamel, Lime Green & Gem Green

button earrings periwinkle, raspberry hand‘Lace Button’ Earrings, 999 Fine Silver, Enamel, Periwinkle & Raspberry

button ring royal blue nile green hand‘Lace Button’ Ring, 999 Fine Silver, Enamel, Royal Blue & Cascade Blue

chili earrings grass green hand‘Lace Chili’ Earrings, 999 Fine Silver, Enamel, Spring Green

button necklace turquoise, cascade blue hand‘Lace Button’ Earrings, 999 Fine Silver, Enamel, Turquoise & Nile Green

Happy spring everyone and have a lovely Mother’s Day!

Thank you for reading.

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New ProonK ‘Lace’ Collection on Etsy

Great news! The new ProonK ‘Lace’ Collection is now available on Etsy.

The pieces are made from hand-crocheted fine silver wire and kiln-fired enamel. All jewellery is entirely hand made by myself from beginning to finish in the Utica, NY studio.

Due to the nature of the crochet and the enamel, every piece looks slightly different, a fact that I am very happy about. I like to believe that this ensures individuality in the pieces. They all have their own little character.

The actual collection contains earrings, necklaces, rings, cufflinks and I am constantly working to enlarge the range. Inspiration comes from organic natural shapes, like chilis, mushrooms and buds but also from architectural elements and insects.

My latest prototypes took me back to my fascination with bugs and flies. This time, I wanted to create shapes that resembled their idols but would not have a ‘creepy’ character to them. It is also important to me to experiment with the crocheted mesh and the enamel. I find that once the crochet-structure is enameled, it resembles window enamel, almost like a modern take to the Jugendstil jewellery of the early 1900’s. I have always been a great admirer of René Lalique. So, for my insect inspiration, I wanted to find a way to connect the crochet-mesh and the enamel with a frame. I am very happy with the results of my experimentation, since the ‘wings’ of the insects really look like little windows that create amazing shadows and new colours once they overlap. There will be more experiments to come soon. I have quite a few more ideas I would like to try.

If you are interested in purchasing pieces from the new ProonK ‘Lace’ Collection please have a look at my Etsy ProonK Shop.

I very much hope you enjoy my new designs!Commissions are always welcome.

water blue light blue button earrings‘Lace Button’ Earrings in Water Blue and Light Blue Enamel.

white dark blue ring‘Lace Button’ Ring in White and Dark Blue Enamel.

water blue light blue box earring‘Lace Box’ Earrrings in Water Blue Enamel.

chili necklace waterblue2‘Lace Chili’ Necklace in Water Blue Enamel.

bell lace earrings2‘Lace Bell’ Earrings in Water Blue Enamel.

chili button lace earrings peppermint orange‘Lace Button Chili’ Earrings in Peppermint and Orange Enamel.

bud button lace earrings light blue white2‘Lace Button Bud’ Earrings in Light Blue and White Enamel.

bell button lace earrings waterblue lime2‘Lace Button Bell’ Earrings in Water Blue and Lime Green Enamel.

water blue dragonbug earrings‘Lace DragonBug’ Earrings in Water Blue Enamel.

dragonfly light blue yellow2‘Lace DragonFly’ Earrings with Light blue and Lime Green Enamel.

Thank you for reading!

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Please have a look at my websites www.lisa-juen.com and www.proonk.com.
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#6 Work in Progress: Onion, Cnobe & Cnonion

Again, it has been a while… and it has been quite an up and down from trying to find capable suppliers for ProonK, having my tonsils removed to frantically trying to get more pieces done for another yearly Schmuck-exhibition-application… and of course quite a few other things in between.

Due to my tonsillectomy, my life had been pretty much on hold for two weeks. The only things I was willing and capable (yeah painkillers) to do were watching TV and knitting socks. It was a strange time on the sofa, going from a very tight jewellery making routine to almost nothing. It makes one wonder and think a lot. The body is an interesting but fragile thing. It needs to be taken care of … and pampered. Maybe this is the most valuable reason for the existence of jewellery. Body adornment, yes. Statement piece, yes. But maybe even more important, make yourself feel better in any possible way.

Now, there are a lot of new and interesting ideas in my head, paired with a little bit of procrastination. It is difficult to get back into a routine after a longer period of time. A lot of thought, a lot of doubt. But one will not find without seeking, so all that can be done is to have a look back, pick it all up again and to re-evaluate where one left off.

So, here they are, my most recent pieces, including a brief attempt to explain and analyse.

ONIONS

The focus of the series ‘Onions’ turns around layers and cells as well as the interaction and movement of those single parts. The finished objects are worked in a way that they have the possibility to move freely and act with their wearer without falling into pieces when being worn on the body.

The ‘Onions’ form language is mainly influenced by the imagery of onion and garlic plants and a diversity of organic cell structures. Like their natural paragons, every layer and cell knows to exist as a single form but at the same time it can act as a part of a group to shape the final object. Every single element makes up an important part of the piece that in addition has the possibility to express itself through free movement.

This symbiosis of single element, group and movement fascinates me a lot.

The layers and cells of the ‘Onions’ pieces are made of hand-crocheted silver wire that has been coated with several layers of enamel. The crocheting technique gives the pieces a nostalgic touch that comes along with ideas of descent and growth. The works show traces of origin and development that unites the viewer with the past and the future.

Additionally, the single element’s crocheted structure gives insights from one cell and layer to the other and veils form and colour of the general object. An illusion of a set shape is created that can change any time with the slightest form of movement. The body in its motion turns into an active part of the general construct.

BBO big blue onion 72Big Blue Onion, brooch, hand-crocheted silver wire, enamel, CZ, stainless steel

BBO big blue onion back 72Big Blue Onion (back), brooch, hand-crocheted silver wire, enamel, CZ, stainless steel


cnobe 1 on body72                         Cnobe, brooch, hand-crocheted silver wire, enamel, CZ, stainless steel


cnobe 1 back smallCnobe (back), brooch, hand-crocheted silver wire, enamel, CZ, stainless steel

cnobe 2 front 72Cnobe II, brooch, hand-crocheted silver wire, enamel, CZ, stainless steel

cnobe 2 back 72Cnobe II (back), brooch, hand-crocheted silver wire, enamel, CZ, stainless steel


cnobe 3 72                            Cnobe III, neckpiece, hand-crocheted silver wire, enamel, stainless steel


cnonion 72                      Cnonion, neckpiece, hand-crocheted silver wire, enamel, stainless steel

snout onion 72Snout Onion, brooch, hand-crocheted silver wire, enamel, stainless steel

snout onion back 72Snout Onion (back), brooch, hand-crocheted silver wire, enamel, stainless steel

trunk onion 72                       Trunk Onion, brooch, hand-crocheted silver wire, enamel, stainless steel

trunk onion back 72Trunk Onion (back), brooch, hand-crocheted silver wire, enamel, stainless steel

All pieces are made in a way that enables the inside layers and single cells to move when being worn. Nothing is set in place.

Let me know your thoughts please!

Thank you for reading.

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#5 Work in Progress: Here is to Onions

I guess it is not a secret to say that I am really into crocheting and enameling silver wire at the moment. I find those two techniques very nicely combine and stand for the work that I have been making for the last few years. There is a reconnection to my MA work, which I really see as the collection of work that had me take my first steps into the contemporary jewellery world, but with experience and impressions that are six years older.

I have been living in Utica, NY now for a good year and I think I can say that things have settled in. My studio is running, I could establish some sort of a routine. ProonK is hopefully going to turn another corner soon and I do get the occasional commissioned work, which I quite like since it is a nice little break in my studio life. Now, I am not primarily a world traveler anymore but my settling and building era has begun.

So far, I had been concentrating on my travels, when it came to finding inspiration for new work. Now, that I barely leave the studio, the angle of my point of view has shifted from the outside to the inside. Again, another nice connection to my MA work. I feel more like a studio hermit now than a world nomad.

Looking back on what I was allowed to experience so far, and I think this is transferable to a lot of people, I find that life comes in different stages, different eras. Each era shapes us and constantly reforms who we are.

I have mentioned in an older Blogpost already (#4 Work in Progress: About Onions & Foxgloves) that I find that the human being is very much comparable to the being of an onion. The more we age and experience, the more layers we grow, the more beautiful we become. Just like a human, an onion shares many characteristics. They can be a delicious spice for a great soup or they can be rotten to the core, once one cuts them open. They are a great helper in keeping one healthy but ever so often they like to make one cry. The story of the onion is hidden in its layers, just like the story of a human is hidden in their eras.

So, here is to human onions. Or onion humans? Here is to onions.

Screen Shot 2013-07-23 at 4.59.18 PMThis is the first piece I made in the ‘Onion’ series. It is a brooch that is called ‘Sadonion’. The piece is made from crocheted silver wire with enamel, agate, cubic zirconia and a hand-pierced surgical stainless steel back. I decided to move away from using laser-cutting in this series of pieces, since the hand-piercing process gives the work a more personal, human touch.

Screen Shot 2013-07-23 at 4.59.10 PMThis is the back of ‘Sadonion’. In this piece, the outside layer of the enamel-onion is ‘sewn’ onto the back-structure with stainless steel wire to secure the front. The other onion layers are not attached, so they can move around when worn.

glamonion frontThis is the second piece I made, called ‘Glamonion’. The piece can be worn as a brooch or a necklace. The necklace-chain can be hooked into the loops on the back of the piece. ‘Glamonion’ is made from crocheted silver wire with enamel, lemon quartz, cubic zirconia and hand-pierced surgical stainless steel. Apart from the outside onion layer, the other layers are not attached and can move around when the piece is worn.

glamion backBack of ‘Glamonion’

glamonion back with chain Back of ‘Glamonion’ with chain.

Screen Shot 2013-07-23 at 5.13.39 PMFuture onions.

Thank you for reading.

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Dragonfly Foxglove Tree

It has been a while again since my last post and quite a few things have happened since then in the studio. Some great things and some not so desirable ones but all in all it’s moving forward.

Last week, I finished my first ProonK commission for a great customer from Utica, NY. She wanted to commission a ‘jewellery-tree’ but with a spin. Since she loves the Adirondacks, we decided to work with a flower that can be found in the woods of the area and we came up with the foxglove. Personally, I have never been a huge fan of those bulky, weird looking ‘jewellery trees’ that one can find all over the place. I wanted to make a piece that is a small sculpture in the first place but that can have a function, if desired. So, regarding functionality, we decided to add a dragonfly to the design which wings can act as holding devices for earrings.

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The stem and the leaves of the foxglove are made from only two stainless steel parts that were connected using cold connections. After the polishing process, the two pieces were positioned and its elements bent into place.

The foxglove plant holds 29 flower heads that were hand-crocheted from silver wire and enameled in three different shades of purple and pink.

The body of the dragonfly holds a white cubic zirconia.

The whole piece is mounted on a solid block of ash-wood that I brought from the woods of my hometown in Germany.

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Here are some Work-In-Process-Pics:

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Screen Shot 2013-04-05 at 5.35.04 PMFoxglove flower heads in detail, made from crocheted silver wire and dark purple enamel.

Screen Shot 2013-07-03 at 10.53.27 AMThe foxglove stem without the flower heads.

I hope you like the piece as much as I do! It was a great success with my Utica customer. She loved it!

Please write me a line with your thoughts! I really appreciate your comments!

Thank you for reading.

Feel free to follow this blog.
NEW: Find my newest designs on my ETSY SHOP!
Please have a look at my websites www.lisa-juen.com and www.proonk.com.
Feel free to follow me on Twitter @LisaJuenProonK and like my FB ProonK page.

 

Happy Earth Day 2013!

Today was a day I have impatiently been waiting for… Today is Earth Day and with this came a fabulous excursion this morning to the Empire Recycling Corporation in Utica NY.

Each year, Empire Recycling opens its doors for the artists from Sculpture Space to have them pick whichever scrap metal they like ($100 max) in order to make an art piece for Sculpture Space‘s CHAIRity Auction in September.

This year was the first time I was part of this event and since I am a HUGE fan of places like recycling yards, I was literally in paradise!

When walking through endless rows of boxes, containers and mountains of all sorts of different metals, I decided to focus on copper scrap. For quite a while, I have been thinking about leaving my jewellery comfort zone and make bigger, more sculptural pieces, possibly wall panels and wall installations. I would like to experiment with different layers, partly enameled (hence the copper), some of my personal drawings, mounting techniques, three-dimensionality, organic/human characteristics and industrial influences, questioning the ‘real & fake’ and ‘action & consequence’ in the human being.

Here are a few pictures I took during my hunt through Empire Recycling. I can’t wait to start the new project!

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Screen Shot 2013-04-22 at 6.43.11 PMThese are the pieces I picked. I mainly collected copper parts with a few brass and stainless steel bits from now and then. Aren’t they beautiful?!

Thank you for reading.

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#4 Work in Progress: About Onions & Foxgloves

Since my return from Munich a couple of weeks ago, I have been pretty busy in the studio.

Right now, I am still trying to find a balance in between pushing my artistic practice, working on ProonK and working on commissions. Yes, I have been lucky and a very great lady commissioned me to make her four jewellery stands for her earrings. I have started to work on the first stand and I am pretty excited about it. It will not be a regular jewellery tree but it will have an arty twist to it.

First to my artistic practice: As you know, in my last three pieces, I started to experiment with enameling silver wire and I got quite intrigued by it. It is the perfect way to combine my love to knit and crochet with enameling. The result are those very intriguing pieces that take me right back home to my grandma’s place. Tradition meets modern, past meets present. So, I experimented a little with shape and colour and made a few pieces that I am very happy about.

At the moment, my mindset turns around the idea of how much does traveling shape your being in terms of finding/having a home. … and what is home or Heimat?

I tried to sort out my mind by writing a short artist statement the other day. It always helps to put the ‘idea-soup’ on paper.

‘If you engage in travel, you will arrive’ -­‐ Ibn Arabi (1165-­‐1240)

 

One of my passions is traveling. I like to be and live in new places that, at times, are very different from my own cultural experiences and upbringing. For the last eight years, I have lived in constantly changing ‘homes’, moving as much as nine times.

 

My most recent move in June last year was of a different kind. This time, it is a permanent move. With the new location, not only my physical coordinates have changed but also my mindset. For the first time in over eight years, I find myself in a place I can call a ‘real home’.

 

But what is ‘home’? Can I call the short-­‐term ‘homes’ of my travels in the UK and China ‘real homes’ too or should I refer to those as ‘homes in transit’? What makes a ‘real home’ and how does it differ from the ‘home of my upbringing’, my German ‘Heimat’?

 

With this thought in mind, I am also intrigued to find out where my past experiences mix; the ones that shaped me through my German upbringing and childhood, the ones I got introduced to on my numerous travels and the ones that I make now, living in my new ‘real home’ in the USA, away from my German ‘Heimat’.

 

How much does travel shape one’s being?

 

In my new work, I would like to combine my German roots, things that make me feel at home and remind me of Germany, things that bring me back to my childhood, the cheesy and the corny… with impressions I gathered on my travels, things I learned on the way about other people and cultures but also about myself… with now being rooted in a place and yet another new culture for the first time after having left Germany.

Quite a while ago, I watched the movie Shrek and I remember him saying that he was an onion. He said he had layers. I feel the same way. I am an onion too. I am made from international layers that shine in different colours.

Screen Shot 2013-04-05 at 12.32.30 PMThis was the first piece I enameled. The coloured layers are not attached, so once mounted, they can move in their little areas without falling out.

Screen Shot 2013-04-05 at 12.33.09 PMHere, I tried to combine the enameled piece with other materials. I am very much interested in working with wood and striped agate at the moment in combination with the stainless steel and the cubic zirconia.

Screen Shot 2013-04-05 at 12.33.28 PMAnother composition.

Screen Shot 2013-04-05 at 12.32.03 PMThis is the second piece. It is meant to be part of a neckpiece at some point. I have a few ideas but nothing is set in stone yet. 

Screen Shot 2013-04-05 at 12.31.25 PMThe layers of this piece can move too, resulting in a really great sound! I also love the transparency of the piece, seeing different colours shine through from now and then.

Simultaneously, I have been working on the ProonK front. On April 1st, I opened my ProonK Etsy Shop… and no, this is not an April fools’ joke! Please check it out, let me know what you think and occasionally get something small for you loved ones, please!

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There will also be a line of new pieces to come soon. I am working with high-speed on the new designs, featuring enameled lace! I can’t wait to have everything wrapped up soon! I am super excited!

Screen Shot 2013-04-05 at 12.33.54 PMThis is a prototype of a lace earring. There will be two half spheres making up a ball that will hang from the part with the stone. ( Disregard the colour combination. It was just a test.)

Last but not least, here are some pics of the jewellery stand I was commissioned to make. The shape is based on a foxglove. The single flower heads are made from enameled wire as well. The stem will be made from stainless steel. On the top of the flower will sit a dragonfly that can hold the earrings in its wings.

Screen Shot 2013-04-05 at 5.35.04 PMA few of the foxglove flower heads in dark and light purple.

Screen Shot 2013-04-05 at 5.35.38 PMFoxglove flower head in dark purple.

I hope you like my latest studio progress! Let me know what you think, please!

Thank you for reading.

Feel free to follow this blog.
Please have a look at my websites www.lisa-juen.com and www.proonk.com.
Feel free to follow me on Twitter @LisaJuenProonK and like my FB ProonK page.

Schmuck #1: Guck ins Schmuckloch, Schmuck im Guckloch

Last week, from March 5th to March 10th, I was in Munich for the ‘Schmuck‘ show curated by the Handwerkskammer Muenchen. Schmuck is the empress of exhibitions, when it comes to contemporary jewellery exhibitions in Europe and each year, there are thousands of jewellery enthusiasts storming the city to see the show.

Because of the huge rush of people, there are a lot of little independent satellite exhibitions on show throughout the city that are organized by all sorts of jewellery artist, students and galleries. In my student days, it was still possible to go and see all of those little shows. However, during the last few years, the list of exhibitions has become so long that it is physically impossible to go and see them all in six days. This time, when I went through the flyer that comes with each Schmuck madness, I had to sit down and study it hard to make a decision on where to go. I will write about a few selected exhibitions in the following posts.

Now, I would like to start with showing you the set-up and look of the show ‘Guck ins Schmuckloch, Schmuck im Guckloch’ that also featured my three most recent pieces. You already know ‘Cicada’. It’s time you get to see ‘Starlight’ and ‘Green Roots’.

Here are pictures of the show:

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Screen Shot 2013-03-11 at 3.46.32 PMSina Emrich during the set-up of the show. It was Katharina Moch‘s and Elena Ruebel‘s idea to paint the window and present the pieces through holes that were scratched free from the paint. This type of set-up made it possible for all of us to walk through the city and have a look at other exhibitions ourselves without having to be present in the gallery. 

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Elena Ruebel painting the window.

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Screen Shot 2013-03-11 at 3.52.46 PM     Elena Ruebel‘s newest work. Her porcelain pieces (she calls them her sausages!) and coloured rope.

 

Screen Shot 2013-03-11 at 3.49.40 PMKatharina Moch‘s organic plastic jewellery.

Screen Shot 2013-03-11 at 3.49.28 PMTabea Reulecke‘s wood creations.

Screen Shot 2013-03-11 at 3.49.13 PM              Sina Emrich‘s movable growth-ring jewellery.

Screen Shot 2013-03-11 at 3.47.25 PM ‘Cicada’, the first of my newest tree pieces made from enamel, silver, stainless steel cubic zirconia and a porcelain cicada I found in Shanghai.

The exhibition was on show from March 5th to March 10th at Galerie im Raum in Munich.

…and here are the other two of my newest pieces, ‘Starlight’ and ‘Green Roots’.

guck ins schmuckloch, schmuck im guckloch

starlight 72‘Starlight’, brooch/neckpiece, silver, enamel, stainless steel, cubic zirconia, lamp piece from a very dusty artist studio in shanghai, glass.

green roots with chain 72

green roots 72 ‘Green Roots’, brooch/neckpiece, silver, enamel, stainless steel, cubic zirconia, tiles from a demolition site in shanghai, glass.

I hope you like the show and my new work. Let me know what you think!

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‘Die Zikade’ (‘Cicada’)

Today, I finished the first of three pieces I will show at ‘Guck ins Schmuckloch, Schmuck im Guckloch‘ in Munich in March. Please come by and see the work and the artists, if you are in town. We will all be very happy to welcome you!

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The piece is called ‘Die Zikade’ (‘Cicada’). ‘Die Zikade’ can be worn as a brooch or it can be attached to a chain to be worn as a neckpiece. I like to give more options to the wearer when standing in front of the mirror and deciding how to put it on.

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Screen Shot 2013-02-11 at 6.20.53 PM‘Die Zikade’, Brooch/Neckpiece, 2013; Stainless Steel, Silver, Enamel, Cubic Zirconia, Porcelain.

After having read Walter Benjamin’s ‘The Storytheller’ the other day, I had many more ideas and I started to experiment with a few more shapes and looks. It is still very early to talk about the future pieces in detail but I have a vision in mind. One that incorporates a lot of enamel, patina and all kinds of surface structures. …of course in contrast with stainless steel.

Here are the beginnings.

Screen Shot 2013-02-11 at 6.05.05 PMI am still intrigued with ‘roots’. Right now, I am playing with shapes and connections. It is not as visible yet but there is a lot more in my head.

Screen Shot 2013-02-11 at 6.05.28 PMInspiration: I found this piece in the scrap metal box of the School of Jewellery during my student days. I don’t know who made it or why it got thrown out but I found it very intriguing and I took it with me. It has stayed with me for more than five years now. During that time, it has changed quite a lot. Initially, it only had a little bit of patina on it. Now, the patina is much more defined. I love to see how nature takes possession of the piece.

More to come soon. Let me know your thoughts! Thank you.

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Please have a look at my websites www.lisa-juen.com and www.proonk.com.
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#3 Work in Progress: Relief

The new silver wire has arrived and boy… I can’t tell you how relieved I felt when I took the new enameled constructs out of the kiln yesterday and found that all previous issues had vanished! Just one little mistake, like buying the wrong type of silver wire, can cause quite a big headache. Still, after a few days of waiting, hoping and slowly turning crazy over the idea that I might not be able to finish in time for the show in Munich, I have to admit that (as usual) it was good that things did not turn out as planned. The delay gave me more time to reflect about the pieces: their origins, their shapes, their compositions, their characters. I was and I still am so happy to be back in the studio that my intuitive making took over. My body needed to see results. Now, my mind is slowly kicking in, asking for the sense of it all.

Mainly, I thought about the roots and what they mean to me. Anchors, yes, supplying organs, yes, but there is more:

  • origin
  • home (Heimat, Heim, zuhause)
  • arrive
  • hold
  • ooze out (herausquellen)
  • find one’s way
  • skirt hurdles
  • safety
  • overgrow, take possession

Here are the beginnings of the new pieces…

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Work in progress: I tried to link the single ‘finger’-elements of the roots more, so that they give the impression of being ‘rooted’. I also wanted to show the force of the roots by having them ‘move’ the floor tiles from their ‘original’ flat position.

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The finished enameled look. Although green, I think the fork-like character of the root takes away from the idea of a snake. The roots are not lying loosely on top of the composition anymore. They are open to the back and connected to the wearer.

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I like to give the wearer the option of choosing how to wear a piece. The first picture shows the piece as a brooch, the second one shows it as a neckpiece. The chain-part can be detached.

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Work in progress: Overgrow, take possession. Brooch and neckpiece.

More silver wire is on the way for more experiments to come. Now, it’s time to work on the construction of the pieces, of course made from lasercut stainless steel. I will keep you posted…

Thank you for reading.

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Feel free to follow me on Twitter @LisaJuenProonK and like my FB ProonK page.

#2 Work in Progress: Enameling Accident – Disaster or Blessing?

In my last post, I showed you a pic of an enameled root next to a porcelain cicada and some other pictures with roots that still had to be enameled.

Today, I had another enameling day. Unfortunately, things went slower than planned and not the way they were supposed to. The roots really ‘eat’ a lot of enamel and it takes a long time to apply it but I managed to enamel all of them. When they came out of the kiln though, I noticed that the silver wire was more oxidized than the one of the roots that I had enameled before. The wire from the first roots is not the same as the one I used for the new ones. I was and I still am bummed about this… silly me, it looks like I ordered the wrong type of wire with my last big silver order.

Anyway… since they looked different from what I had expected, I thought it would not hurt to experiment a little and I managed to make them look really old. The complete opposite of the first ones.

Now, my head is still spinning from a super long day in the studio and I think I don’t have the necessary distance yet to make a proper decision but what do you think? Does it work?

ImageThe roots in this pic look the ‘oldest’. The light grey enamel even partly changed color and it looks yellowed. As you can see, the silver wire is not as shiny as the one in the ‘Cicada’ piece. Since the lamp part looks old and dusty too, I kind of think that the two might work together but still, I am not sure.

ImageThis piece is definitely off. I will try to re-enamel it tomorrow and see what will happen then. Not sure about the color or the shine.

ImageAlso this one. Not sure about it at all.

I ordered new wire and new enamel… let’s hope the post-man will ring my doorbell soon.

Please let me know what you think. Any opinion will be highly appreciated.

Thank you for reading.
Please have a look at my websites www.lisa-juen.com and www.proonk.com.
Feel free to follow me on Twitter @LisaJuenProonK and like my FB ProonK page.

#1 Work in Progress: Cicada, Tiles & Lamp

As mentioned before, I am intrigued by the idea of the roots and I decided to make quite a few from silver wire and see what I can do with them. I enameled some and started to combine them with some of my found objects from Shanghai.

Again, I am interested in the contrast that is being created by the combination of different materials, their characteristics and their meanings. I am also intrigued by juxtaposing found objects and components that I can create myself.

It seems like my mind is still preoccupied with Shanghai. So many things still need to be said, realized and dealt with. But now, with me having my roots in Utica, I can see that the new American influences also find a way to enter and live in my new work. There is a change. It makes me feel relieved and really happy.

I am taking myself on a trip through the past, present and future.

ImageWork in progress Piece #1: Porcelain cicada from Shanghai, enameled silver wire roots, lasercut stainless steel hydrangea, CZ. Brooch/Neckpiece.

ImageWork in progress Piece #2: Tiles from a demolition site in Shanghai (residential house in the Former French Concession), silver wire roots (possibly to be enameled in shades of pink), possibly some sort of lasercut stainless steel plant, CZ. Brooch/Neckpiece.

ImageWork in progress Piece #3: Plastic ornament from Chen Hang Feng‘s studio in Shanghai with years of the city’s dirt on it, silver wire roots (possibly to be enameled in shades of grey), CZ, glass, lasercut stainless steel. Brooch/Neckpiece. 

All pieces are obviously still in progress. Changes might happen. Let me know what you think, please. I appreciate all sorts of input. Thank you.

Thank you for reading.
Please have a look at my websites www.lisa-juen.com and www.proonk.com.
Feel free to follow me on Twitter @LisaJuenProonK and like my FB ProonK page.

Sweet Sweet Studio

So… after a good seven month without making any ‘serious’ jewellery, due to moving countries and some personal procrastinating issues, I am sitting in my brand-new studio and I am MAKING. Finally!

It really is about high-time, given that 2013 started off on a really good foot. I just realized the other day that my work is going to be on show in five exhibitions until April alone. The rest of the year is yet to come! I very much hope for the chance to have a solo show some time soon and I am going to work hard towards that goal.

Until then, my work can be seen in the following exhibitions:

‘The Beauty Chase’, Espace Le Carré Gallery, Lille, France, until Jan 14.
‘Con Decorados’, Klimt Gallery, Barcelona, Spain, opening in February.
‘Ferrous’, Velvet Da Vinci Gallery, San Francisco, USA, March 1 – April 14.
‘Guck ins Schmuckloch, Schmuck im Guckloch’, Galerie im Raum, Munich, Germany, March 7 – March 10.
‘Stories & Symbols’, Facèré Gallery, Seattle, USA, opening in April.

With ‘Guck ins Schmuckloch, Schmuck im Guckloch’ coming up during ‘Schmuck’-time in Munich, I really have to focus and make new pieces. So, yesterday, I had a big enameling day and I experimented with techniques, objects and compositions.

It was fabulous, after a long time of simply knitting socks, to design and make jewellery again. I came up with three ideas for future pieces and I can’t wait to hold the finished works in my hands soon. Let’s hope for many more to come!

With my move to America, I realized that my origin is really important to me, alongside my traveling experience. ‘Heimat’ (birth place/home) is what shapes us first, traveling cuts our facets. I would like to play with both of those influences, showing the ‘product’ of them until this point in time. So, I think Germany, UK, China and America will play a big factor in my future pieces.

When still in China, I started to collect ‘found objects’. This was something very new to me, as I usually don’t like to collect stuff. I am used to work with an idea in my head and I go and find the materials. For some reason, maybe some melancholic reasons when knowing that I would leave Shanghai, I collected some objects that looked intriguing to me. Now, they are lying on a table in my studio waiting for me to work with them… and I did start with some. Another first.

Screen Shot 2013-01-09 at 1.44.43 PMFound objects on my studio table

Screen Shot 2013-01-09 at 1.45.01 PMThe Yellow Studio Room

Screen Shot 2013-01-09 at 3.49.18 PMThe Blue Studio Room

Another thing that I realized when arriving in America was that my creative process is going in a ‘looped line’. I am not thinking from A to B to C. In the process of shaping new influences and ideas, I like to reflect on earlier work and sometimes, old influences peek through in new ways. At the moment, I find that I am interested in some things again that intrigued me during my MA days in 2007. It will not be the same as the work from that time. The new work will represent my experiences from then to now through the choice of known but also new materials and techniques. My mind is going in circles and yet, it arrives at new places.

Accordingly, the new body of work will be called ‘Circle Spirit’.

Screen Shot 2013-01-09 at 1.44.30 PMThe beginnings of the first piece. The cicada came from a small street shop in Shanghai. I made the ‘roots’ from silver wire and enamel. Roots: home, growth, basis, knowledge, past & present. I think the roots will have a strong presence in the pieces of the ‘Circle Spirit’ series.

More to come soon…

Thank you for reading.
Please have a look at my websites www.lisa-juen.com and www.proonk.com.
Feel free to follow me on Twitter @LisaJuenProonK and like my FB ProonK page.

Inspiration – Hedda Bjerkeli

It sure has been a while again since my last post and really, I should be working on my display for pieces that will be on show at Broad Street Gallery in Hamilton, NY. …for anyone in the area who is still looking for something special for Christmas, this might be the place to go.

Still, I stumbled over the work of artist Hedda Bjerkeli this morning and I instantly fell in love with one piece. It is a brooch that at first sight might look pretty simple due to its oval shape but taking a closer look reveals millions of little details and characteristics that make this brooch exquisite. I love the way the enamel looks messy and in some sort natural. It has an incredible ‘home-ly’ feel to it. It is calm but at the same time incredibly vibrant. The stitching, is it crochet?, really pushes me over the edge… I can see parallels to my graduation pieces and future ideas for many more pieces to come. I am excited!

The workshop is almost ready by the way and I can’t wait to have a big enameling session soon. More good things to come…

Image

Work and photo credits: Hedda Bjerkeli

Image

Work and photo credits: Hedda Bjerkeli

Lisa Juen – Become One, Ring 2007

Lisa Juen – Snembryo, Brooch 2007

Thank you for reading.
Please have a look at my websites www.lisa-juen.com and www.proonk.com.
Feel free to follow me on Twitter @LisaJuenProonK and like my FB ProonK page.

Making Wedding Bands

Last week, on August 24, we did it… Barry and I got married!I know that this will come to many as a surprise, as it did for us, but no worries, the big celebrations will take place next year, same date in Utica, NY.

I guess the saying ‘It never goes as planned’ is very true and it applies really well to our wedding ceremony and the making of our wedding bands.

A a jewellery maker, I am not allowed to make my own wedding rings. At least this is a very old and serious tradition in Germany. If you do it anyway, it is meant to be bad luck for your future marriage. Since I did not want to upset any marriage Gods, I knew for a long time that my good friend Christine Graf in Munich was going to be the one to make the rings for me. Barry had her make my engagement ring as well to my great surprise!

When Christine and I studied together in Birmingham in 2007, she wore this beautiful ring that she had forged from 24K gold. Previously, her aunt had given her some gold coins and she did not really know what to do with them, so she decided to turn them into something useful and make a ring for herself. She did not want to waste any of the material, so she did not cut or file it at all. Instead she forged it from a cast made of the coins. The traces of the hammer were still visible on the surface and gave it this really strong but very refined look. I liked the story of the making behind it and I knew then that this was going to be my wedding ring one day.

There is another very interesting detail one should keep in mind when choosing wedding bands. According to German tradition again, they need to be made from one piece. Bending and soldering the ring is not an option, since it will show a solder line, which is considered to be a sign for the marriage breaking one day. The ring needs to be made from continuous material, without a cut, so next to casting (the most popular option) the ring can be forged.

Originally, Barry and I had planned to get married in the autumn of 2013 but you know how it goes… ‘It never comes as planned’ and we had to hurry a little. Because of the shortness in time, Christine could not make the rings for us and my good friend Patrick McMillan from McMillan Metals in Providence offered to make them when I came to visit him for his birthday in early August. I am still thrilled and very thankful for his offer and generosity to do this for us. In return I promised to make his wedding rings one day, which makes me feel very honored and proud!

When Patrick and I talked about how to make the rings, we decided to make them from fine silver instead of 24K gold. Barry and my initial idea was to collect gold from the families and have it melt into the rings, so that there is the family and some meaning in the rings themselves. When I sat in Patrick’s studio, Barry and I had not even started to collect, so there was nothing to make the rings from.

Now, I think it was perfect sitting in Patrick’s studio not knowing what material to use, since Barry and I decided that we will have two sets of rings: The silver ones from our formal wedding ceremony and the golden ones, made by Christine, for the Big Wedding Bash next year with all our friends and family.

So, here are some pictures showing the process of the making. I hope you’ll enjoy them.

Cuttlefish Casting.

The burned cuttlefish shell.

Super excited!!!!

The cast silver ‘bobbles’.

Patrick punching a hole.

Small hole.

Stretching the hole.

Medium hole.

Stretching the ring on a ring mandrel.

Bigger mandrel.

Big hole.

Final touch.

The finished rings.

We are married! 🙂

PS: Here is a picture of my beautiful engagement ring that Christine made for me from platinum, copper mesh and enamel.

Thank you for reading.
Please have a look at my websites www.lisa-juen.com and www.proonk.com.
Feel free to follow me on Twitter @LisaJuenProonK and like my FB ProonK page.

‘Exupéa’

Earlier this year, I was asked if I was interested in taking part in the ‘FlourishRing‘ Exhibition at Kath Libbert Gallery in Saltsmill, UK. In 2010, I took part in their exhibition ‘IntoFlora‘ and I was very happy to hear that the gallery wanted to feature my work again.

The theme of the exhibition was inspired by the gallery’s 16th anniversary and asked for a ring with exuberant qualities. 100 jewellery makers around the world were asked to take part.

I am more of a brooch-girl, which means I have a preference of making brooches, rather than other forms of jewellery. I have, of course, made a few rings in the past but since it has been quite a while back, I decided to make a new ring for the exhibition.

Working on the ring turned out to be a lot of fun. It was very refreshing to walk new paths and experiment with ring shapes, rather than brooch fittings.

Based on the exuberant topic, I decided to work with a peacock theme. I wanted the ring to show off in every way but doing so with grace and style. I started fiddling around with Chinese fabric knots and peacock feathers but came to the conclusion that the feather is exuberant enough and I found it more intriguing to work with the peacock’s striking colours instead. I have been thinking about reintroducing enamel into my work for quite a while and this seemed the perfect topic for experimenting. I ended up working with different layers of enamel, trying to construct translucent glazes and give it a relief looking surface structure. The ring was completed with a big lavender coloured cubic zirconia stone in the middle, holding a rainbow colour changing LED.

‘Exupéa’, Ring, 2012, stainless steel, enamel, cubic zirconia, LED, battery box, light switch, cable.
Photography: Savinder Bual

The ‘FlourishRing‘ exhibition opened July 12 and will be on show until September 30. Next to ‘FlourishRing‘, there is another exhibtion, ‘Flourish‘, on show, featuring the work of ten international jewellery makers. During the exhibition period, the audience is encouraged to pick their favourite ring and have a picture taken with it. The ring that will have the most ‘likes’ in the end will win a £250 cash price. I will keep fingers crossed for all featured artists! You can have a preview on the rings on the gallery’s website to get a first impression.

If you happen to be in the UK, please go and check it out! The pictures of the exhibition opening looked really intriguing. Please don’t forget to send me a pic once you are there. I would really appreciate it!

Thank you for reading.
Please have a look at my websites www.lisa-juen.com and www.proonk.com.
Feel free to follow me on Twitter @LisaJuenProonK and like the FB ProonK page.

‘Nāmanja’ & ‘Solipsistic’

Recently, I wrote about a piece I made for my friend Anja’s birthday. (Read about the beginnings here: Wave Structures & Loudlives.)

At that time, her birthday was yet to come so, I could not post any pics. Now, I am proud to introduce the finished piece called ‘Nāmanja’. The title derives from the Hawaiian sea goddess Nāmaka and my friend’s first name. Since she is a devoted surfer who loves the Hawaiian islands, I thought it would be a nice touch to go with the sea goddess.

The enameled blue and white piece in the center is inspired by a wave photograph that was taken by Hawaii artist Clark Little. The flower and the blue stones are my way of expressing the feelings I have about Anja: Depth, pain, pride and blue are the first words that pop into my mind when I think of her. Also, vulnerability and strength.

Shortly after the completion of ‘Nāmanja’, another very close friend, Rachel Marsden, had her birthday coming up. Rachel and I met in Shanghai through work. Rachel, and also Anja, are two people who are for me what Rachel usually refers to as ‘corner-stone-friends’.

The piece for Rachel is a very personal one. It started off with Rachel’s favourite word ‘Solipsistic’, a word that has a very special meaning for her and that comes with a nice little story that she sometimes tells people. Rachel is a person who is lost in the world of words. She is obsessed with letters and alphabets, typewriters and books. She is a mega-blogger and a workaholic. Wherever she goes, she takes her camera to take millions of pictures of people, art and food. Sometimes she complains though that not enough people take pictures of her. So, I decided to incorporate her image in the piece. The center showing Rachel’s portrait is made of enamel. Other materials are stainless steel, cubic zirkonia and glass.

Front of the brooch.

Back of the brooch.

The designing and making of those two pieces was pretty straight forward for me. I usually spend a lot of time overthinking every little detail of all of my pieces and I tend to overcomplicate them at times. I quite enjoy the process of designing them but I have to admit that I found that working more from the belly (and not just the brain) can be quite rewarding and satisfying too. I think making a series of smaller, faster ‘belly’-pieces will be something that I will have to experiment with, once I have my new studio up and running. Looking forward to it. I hope you too!

Please have a look at my websites www.lisa-juen.com and www.proonk.com to see more jewellery and join my Twitter @LisaJuenProonK and the ProonK FB page. Thank you.