Schmuck #1: Guck ins Schmuckloch, Schmuck im Guckloch

Last week, from March 5th to March 10th, I was in Munich for the ‘Schmuck‘ show curated by the Handwerkskammer Muenchen. Schmuck is the empress of exhibitions, when it comes to contemporary jewellery exhibitions in Europe and each year, there are thousands of jewellery enthusiasts storming the city to see the show.

Because of the huge rush of people, there are a lot of little independent satellite exhibitions on show throughout the city that are organized by all sorts of jewellery artist, students and galleries. In my student days, it was still possible to go and see all of those little shows. However, during the last few years, the list of exhibitions has become so long that it is physically impossible to go and see them all in six days. This time, when I went through the flyer that comes with each Schmuck madness, I had to sit down and study it hard to make a decision on where to go. I will write about a few selected exhibitions in the following posts.

Now, I would like to start with showing you the set-up and look of the show ‘Guck ins Schmuckloch, Schmuck im Guckloch’ that also featured my three most recent pieces. You already know ‘Cicada’. It’s time you get to see ‘Starlight’ and ‘Green Roots’.

Here are pictures of the show:

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Screen Shot 2013-03-11 at 3.46.32 PMSina Emrich during the set-up of the show. It was Katharina Moch‘s and Elena Ruebel‘s idea to paint the window and present the pieces through holes that were scratched free from the paint. This type of set-up made it possible for all of us to walk through the city and have a look at other exhibitions ourselves without having to be present in the gallery. 

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Elena Ruebel painting the window.

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Screen Shot 2013-03-11 at 3.52.46 PM     Elena Ruebel‘s newest work. Her porcelain pieces (she calls them her sausages!) and coloured rope.

 

Screen Shot 2013-03-11 at 3.49.40 PMKatharina Moch‘s organic plastic jewellery.

Screen Shot 2013-03-11 at 3.49.28 PMTabea Reulecke‘s wood creations.

Screen Shot 2013-03-11 at 3.49.13 PM              Sina Emrich‘s movable growth-ring jewellery.

Screen Shot 2013-03-11 at 3.47.25 PM ‘Cicada’, the first of my newest tree pieces made from enamel, silver, stainless steel cubic zirconia and a porcelain cicada I found in Shanghai.

The exhibition was on show from March 5th to March 10th at Galerie im Raum in Munich.

…and here are the other two of my newest pieces, ‘Starlight’ and ‘Green Roots’.

guck ins schmuckloch, schmuck im guckloch

starlight 72‘Starlight’, brooch/neckpiece, silver, enamel, stainless steel, cubic zirconia, lamp piece from a very dusty artist studio in shanghai, glass.

green roots with chain 72

green roots 72 ‘Green Roots’, brooch/neckpiece, silver, enamel, stainless steel, cubic zirconia, tiles from a demolition site in shanghai, glass.

I hope you like the show and my new work. Let me know what you think!

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Please have a look at my websites www.lisa-juen.com and www.proonk.com.
Feel free to follow me on Twitter @LisaJuenProonK and like my FB ProonK page.

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#3 Work in Progress: Relief

The new silver wire has arrived and boy… I can’t tell you how relieved I felt when I took the new enameled constructs out of the kiln yesterday and found that all previous issues had vanished! Just one little mistake, like buying the wrong type of silver wire, can cause quite a big headache. Still, after a few days of waiting, hoping and slowly turning crazy over the idea that I might not be able to finish in time for the show in Munich, I have to admit that (as usual) it was good that things did not turn out as planned. The delay gave me more time to reflect about the pieces: their origins, their shapes, their compositions, their characters. I was and I still am so happy to be back in the studio that my intuitive making took over. My body needed to see results. Now, my mind is slowly kicking in, asking for the sense of it all.

Mainly, I thought about the roots and what they mean to me. Anchors, yes, supplying organs, yes, but there is more:

  • origin
  • home (Heimat, Heim, zuhause)
  • arrive
  • hold
  • ooze out (herausquellen)
  • find one’s way
  • skirt hurdles
  • safety
  • overgrow, take possession

Here are the beginnings of the new pieces…

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Work in progress: I tried to link the single ‘finger’-elements of the roots more, so that they give the impression of being ‘rooted’. I also wanted to show the force of the roots by having them ‘move’ the floor tiles from their ‘original’ flat position.

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The finished enameled look. Although green, I think the fork-like character of the root takes away from the idea of a snake. The roots are not lying loosely on top of the composition anymore. They are open to the back and connected to the wearer.

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I like to give the wearer the option of choosing how to wear a piece. The first picture shows the piece as a brooch, the second one shows it as a neckpiece. The chain-part can be detached.

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Work in progress: Overgrow, take possession. Brooch and neckpiece.

More silver wire is on the way for more experiments to come. Now, it’s time to work on the construction of the pieces, of course made from lasercut stainless steel. I will keep you posted…

Thank you for reading.

Feel free to follow this blog.
Please have a look at my websites www.lisa-juen.com and www.proonk.com.
Feel free to follow me on Twitter @LisaJuenProonK and like my FB ProonK page.

#1 Work in Progress: Cicada, Tiles & Lamp

As mentioned before, I am intrigued by the idea of the roots and I decided to make quite a few from silver wire and see what I can do with them. I enameled some and started to combine them with some of my found objects from Shanghai.

Again, I am interested in the contrast that is being created by the combination of different materials, their characteristics and their meanings. I am also intrigued by juxtaposing found objects and components that I can create myself.

It seems like my mind is still preoccupied with Shanghai. So many things still need to be said, realized and dealt with. But now, with me having my roots in Utica, I can see that the new American influences also find a way to enter and live in my new work. There is a change. It makes me feel relieved and really happy.

I am taking myself on a trip through the past, present and future.

ImageWork in progress Piece #1: Porcelain cicada from Shanghai, enameled silver wire roots, lasercut stainless steel hydrangea, CZ. Brooch/Neckpiece.

ImageWork in progress Piece #2: Tiles from a demolition site in Shanghai (residential house in the Former French Concession), silver wire roots (possibly to be enameled in shades of pink), possibly some sort of lasercut stainless steel plant, CZ. Brooch/Neckpiece.

ImageWork in progress Piece #3: Plastic ornament from Chen Hang Feng‘s studio in Shanghai with years of the city’s dirt on it, silver wire roots (possibly to be enameled in shades of grey), CZ, glass, lasercut stainless steel. Brooch/Neckpiece. 

All pieces are obviously still in progress. Changes might happen. Let me know what you think, please. I appreciate all sorts of input. Thank you.

Thank you for reading.
Please have a look at my websites www.lisa-juen.com and www.proonk.com.
Feel free to follow me on Twitter @LisaJuenProonK and like my FB ProonK page.

Sweet Sweet Studio

So… after a good seven month without making any ‘serious’ jewellery, due to moving countries and some personal procrastinating issues, I am sitting in my brand-new studio and I am MAKING. Finally!

It really is about high-time, given that 2013 started off on a really good foot. I just realized the other day that my work is going to be on show in five exhibitions until April alone. The rest of the year is yet to come! I very much hope for the chance to have a solo show some time soon and I am going to work hard towards that goal.

Until then, my work can be seen in the following exhibitions:

‘The Beauty Chase’, Espace Le Carré Gallery, Lille, France, until Jan 14.
‘Con Decorados’, Klimt Gallery, Barcelona, Spain, opening in February.
‘Ferrous’, Velvet Da Vinci Gallery, San Francisco, USA, March 1 – April 14.
‘Guck ins Schmuckloch, Schmuck im Guckloch’, Galerie im Raum, Munich, Germany, March 7 – March 10.
‘Stories & Symbols’, Facèré Gallery, Seattle, USA, opening in April.

With ‘Guck ins Schmuckloch, Schmuck im Guckloch’ coming up during ‘Schmuck’-time in Munich, I really have to focus and make new pieces. So, yesterday, I had a big enameling day and I experimented with techniques, objects and compositions.

It was fabulous, after a long time of simply knitting socks, to design and make jewellery again. I came up with three ideas for future pieces and I can’t wait to hold the finished works in my hands soon. Let’s hope for many more to come!

With my move to America, I realized that my origin is really important to me, alongside my traveling experience. ‘Heimat’ (birth place/home) is what shapes us first, traveling cuts our facets. I would like to play with both of those influences, showing the ‘product’ of them until this point in time. So, I think Germany, UK, China and America will play a big factor in my future pieces.

When still in China, I started to collect ‘found objects’. This was something very new to me, as I usually don’t like to collect stuff. I am used to work with an idea in my head and I go and find the materials. For some reason, maybe some melancholic reasons when knowing that I would leave Shanghai, I collected some objects that looked intriguing to me. Now, they are lying on a table in my studio waiting for me to work with them… and I did start with some. Another first.

Screen Shot 2013-01-09 at 1.44.43 PMFound objects on my studio table

Screen Shot 2013-01-09 at 1.45.01 PMThe Yellow Studio Room

Screen Shot 2013-01-09 at 3.49.18 PMThe Blue Studio Room

Another thing that I realized when arriving in America was that my creative process is going in a ‘looped line’. I am not thinking from A to B to C. In the process of shaping new influences and ideas, I like to reflect on earlier work and sometimes, old influences peek through in new ways. At the moment, I find that I am interested in some things again that intrigued me during my MA days in 2007. It will not be the same as the work from that time. The new work will represent my experiences from then to now through the choice of known but also new materials and techniques. My mind is going in circles and yet, it arrives at new places.

Accordingly, the new body of work will be called ‘Circle Spirit’.

Screen Shot 2013-01-09 at 1.44.30 PMThe beginnings of the first piece. The cicada came from a small street shop in Shanghai. I made the ‘roots’ from silver wire and enamel. Roots: home, growth, basis, knowledge, past & present. I think the roots will have a strong presence in the pieces of the ‘Circle Spirit’ series.

More to come soon…

Thank you for reading.
Please have a look at my websites www.lisa-juen.com and www.proonk.com.
Feel free to follow me on Twitter @LisaJuenProonK and like my FB ProonK page.