Schmuck #1: Guck ins Schmuckloch, Schmuck im Guckloch

Last week, from March 5th to March 10th, I was in Munich for the ‘Schmuck‘ show curated by the Handwerkskammer Muenchen. Schmuck is the empress of exhibitions, when it comes to contemporary jewellery exhibitions in Europe and each year, there are thousands of jewellery enthusiasts storming the city to see the show.

Because of the huge rush of people, there are a lot of little independent satellite exhibitions on show throughout the city that are organized by all sorts of jewellery artist, students and galleries. In my student days, it was still possible to go and see all of those little shows. However, during the last few years, the list of exhibitions has become so long that it is physically impossible to go and see them all in six days. This time, when I went through the flyer that comes with each Schmuck madness, I had to sit down and study it hard to make a decision on where to go. I will write about a few selected exhibitions in the following posts.

Now, I would like to start with showing you the set-up and look of the show ‘Guck ins Schmuckloch, Schmuck im Guckloch’ that also featured my three most recent pieces. You already know ‘Cicada’. It’s time you get to see ‘Starlight’ and ‘Green Roots’.

Here are pictures of the show:

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Screen Shot 2013-03-11 at 3.46.32 PMSina Emrich during the set-up of the show. It was Katharina Moch‘s and Elena Ruebel‘s idea to paint the window and present the pieces through holes that were scratched free from the paint. This type of set-up made it possible for all of us to walk through the city and have a look at other exhibitions ourselves without having to be present in the gallery. 

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Elena Ruebel painting the window.

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Screen Shot 2013-03-11 at 3.52.46 PM     Elena Ruebel‘s newest work. Her porcelain pieces (she calls them her sausages!) and coloured rope.

 

Screen Shot 2013-03-11 at 3.49.40 PMKatharina Moch‘s organic plastic jewellery.

Screen Shot 2013-03-11 at 3.49.28 PMTabea Reulecke‘s wood creations.

Screen Shot 2013-03-11 at 3.49.13 PM              Sina Emrich‘s movable growth-ring jewellery.

Screen Shot 2013-03-11 at 3.47.25 PM ‘Cicada’, the first of my newest tree pieces made from enamel, silver, stainless steel cubic zirconia and a porcelain cicada I found in Shanghai.

The exhibition was on show from March 5th to March 10th at Galerie im Raum in Munich.

…and here are the other two of my newest pieces, ‘Starlight’ and ‘Green Roots’.

guck ins schmuckloch, schmuck im guckloch

starlight 72‘Starlight’, brooch/neckpiece, silver, enamel, stainless steel, cubic zirconia, lamp piece from a very dusty artist studio in shanghai, glass.

green roots with chain 72

green roots 72 ‘Green Roots’, brooch/neckpiece, silver, enamel, stainless steel, cubic zirconia, tiles from a demolition site in shanghai, glass.

I hope you like the show and my new work. Let me know what you think!

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‘Die Zikade’ (‘Cicada’)

Today, I finished the first of three pieces I will show at ‘Guck ins Schmuckloch, Schmuck im Guckloch‘ in Munich in March. Please come by and see the work and the artists, if you are in town. We will all be very happy to welcome you!

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The piece is called ‘Die Zikade’ (‘Cicada’). ‘Die Zikade’ can be worn as a brooch or it can be attached to a chain to be worn as a neckpiece. I like to give more options to the wearer when standing in front of the mirror and deciding how to put it on.

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Screen Shot 2013-02-11 at 6.20.53 PM‘Die Zikade’, Brooch/Neckpiece, 2013; Stainless Steel, Silver, Enamel, Cubic Zirconia, Porcelain.

After having read Walter Benjamin’s ‘The Storytheller’ the other day, I had many more ideas and I started to experiment with a few more shapes and looks. It is still very early to talk about the future pieces in detail but I have a vision in mind. One that incorporates a lot of enamel, patina and all kinds of surface structures. …of course in contrast with stainless steel.

Here are the beginnings.

Screen Shot 2013-02-11 at 6.05.05 PMI am still intrigued with ‘roots’. Right now, I am playing with shapes and connections. It is not as visible yet but there is a lot more in my head.

Screen Shot 2013-02-11 at 6.05.28 PMInspiration: I found this piece in the scrap metal box of the School of Jewellery during my student days. I don’t know who made it or why it got thrown out but I found it very intriguing and I took it with me. It has stayed with me for more than five years now. During that time, it has changed quite a lot. Initially, it only had a little bit of patina on it. Now, the patina is much more defined. I love to see how nature takes possession of the piece.

More to come soon. Let me know your thoughts! Thank you.

Feel free to follow this blog.
Please have a look at my websites www.lisa-juen.com and www.proonk.com.
Feel free to follow me on Twitter @LisaJuenProonK and like my FB ProonK page.

Sweet Sweet Studio

So… after a good seven month without making any ‘serious’ jewellery, due to moving countries and some personal procrastinating issues, I am sitting in my brand-new studio and I am MAKING. Finally!

It really is about high-time, given that 2013 started off on a really good foot. I just realized the other day that my work is going to be on show in five exhibitions until April alone. The rest of the year is yet to come! I very much hope for the chance to have a solo show some time soon and I am going to work hard towards that goal.

Until then, my work can be seen in the following exhibitions:

‘The Beauty Chase’, Espace Le Carré Gallery, Lille, France, until Jan 14.
‘Con Decorados’, Klimt Gallery, Barcelona, Spain, opening in February.
‘Ferrous’, Velvet Da Vinci Gallery, San Francisco, USA, March 1 – April 14.
‘Guck ins Schmuckloch, Schmuck im Guckloch’, Galerie im Raum, Munich, Germany, March 7 – March 10.
‘Stories & Symbols’, Facèré Gallery, Seattle, USA, opening in April.

With ‘Guck ins Schmuckloch, Schmuck im Guckloch’ coming up during ‘Schmuck’-time in Munich, I really have to focus and make new pieces. So, yesterday, I had a big enameling day and I experimented with techniques, objects and compositions.

It was fabulous, after a long time of simply knitting socks, to design and make jewellery again. I came up with three ideas for future pieces and I can’t wait to hold the finished works in my hands soon. Let’s hope for many more to come!

With my move to America, I realized that my origin is really important to me, alongside my traveling experience. ‘Heimat’ (birth place/home) is what shapes us first, traveling cuts our facets. I would like to play with both of those influences, showing the ‘product’ of them until this point in time. So, I think Germany, UK, China and America will play a big factor in my future pieces.

When still in China, I started to collect ‘found objects’. This was something very new to me, as I usually don’t like to collect stuff. I am used to work with an idea in my head and I go and find the materials. For some reason, maybe some melancholic reasons when knowing that I would leave Shanghai, I collected some objects that looked intriguing to me. Now, they are lying on a table in my studio waiting for me to work with them… and I did start with some. Another first.

Screen Shot 2013-01-09 at 1.44.43 PMFound objects on my studio table

Screen Shot 2013-01-09 at 1.45.01 PMThe Yellow Studio Room

Screen Shot 2013-01-09 at 3.49.18 PMThe Blue Studio Room

Another thing that I realized when arriving in America was that my creative process is going in a ‘looped line’. I am not thinking from A to B to C. In the process of shaping new influences and ideas, I like to reflect on earlier work and sometimes, old influences peek through in new ways. At the moment, I find that I am interested in some things again that intrigued me during my MA days in 2007. It will not be the same as the work from that time. The new work will represent my experiences from then to now through the choice of known but also new materials and techniques. My mind is going in circles and yet, it arrives at new places.

Accordingly, the new body of work will be called ‘Circle Spirit’.

Screen Shot 2013-01-09 at 1.44.30 PMThe beginnings of the first piece. The cicada came from a small street shop in Shanghai. I made the ‘roots’ from silver wire and enamel. Roots: home, growth, basis, knowledge, past & present. I think the roots will have a strong presence in the pieces of the ‘Circle Spirit’ series.

More to come soon…

Thank you for reading.
Please have a look at my websites www.lisa-juen.com and www.proonk.com.
Feel free to follow me on Twitter @LisaJuenProonK and like my FB ProonK page.