3D Printing, Janne Kyttanen & New Inspirations

Sometimes it happens that life delivers inspiration at exactly the right time without me even actively looking. I really like when this happens, since it feels like someone switched on a light bulb in my brain and the jungle of ideas in my head that could make up a new project suddenly magically unsnarls.

Today this Aha-Moment was given to me by Janne Kyttanen who decided to follow me on Twitter. I had never heard of him and I looked him up… and I was stunned. He is a designer, based in the Netherlands, who is very much interested in 3D printing. He started to investigate and work with this technology since the mid 90’s and his portfolio is very impressive. From his designs, over to founding his own business ‘3D Systems‘ to collaborations with shoe-designers, interior architects, jewellery artists (like Ted Noten) etc. Janne really likes to dip into multiple design disciplines. A fact that I find highly refreshing and inspirational.

Screen Shot 2014-03-15 at 9.14.27 AMJanne Kyttanen Designs

Andreia Chaves invisible shoes, 2011Janne Kyttanen in collaboration with Andreia Chaves, Invisible Shoes, 2011

Screen Shot 2014-03-15 at 9.21.30 AMJanne Kyttanen in collaboration with Ted Noten, Fashionista Necklace, 2009

There are quite a few things that kept my mind busy lately. One thing that I have been thinking about for quite a while is that I would like to have my artistic work run in a new direction again and 3D printing is one technique that fascinates me. Back when I was still living in Shanghai, I purchased a 3D printer from Makible, a start-up company based in Hong Kong that offers a very price-tag friendly 3D printer, the MakiBox. At the time when I purchased the printer, I was not aware that they were just starting of (completely my misunderstanding) and that it would take some time for the product to be finished, so I could not yet try to work with a 3D printer. But some things are worth the wait and now, almost two years later, it seems like my MakiBox is finally in the post and I should receive it any time now. I so cannot wait!

Another thing is that recently I feel the urge to explore other art and design fields. For the last ten years I have mainly been working in jewellery and as of lately I feel like the small scale almost seems to ‘suffocate’ me from now and then. In order to get my mind free, I find it helps to work big sometimes or do something completely unrelated. (This is also one reason why I decided not to go to see the Schmuck 2014 exhibition in Munich this time.) Right now, I would love to indulge in making chandeliers and lamps and I would like to dive into sculptural art.

But to get back to 3D printing… As mentioned before, I am fascinated by the technique but I find it very controversy at the same time. A lot of artists have dipped into the field already, like jeweler Arthur Hash or the design team from Nervous System and I admire their work a lot. But for me, I love making things by hand, it forms an essential part of my designing process. Using a technology that is solely based on a machine fabricating an idea might not be enough for my bench-experience and it also raises a lot of questions as to how the making process in art and craft should and can look like. Does the artificial making process ‘water down’ the quality of work, since a 3D printer might soon be a house-hold stable in every home for everyone to use? Will art soon be something that every person can do by the mouse-click? Can suddenly everyone be an artist? Or will in the end the artistic mind take over and even in such an easy, approachable technology, the creative idea will determine the quality and level of the work? I assume the latter will be the case. In order to create objects, one needs to have a mind that can think accordingly but the question of whether art should actually be made by the artist and not necessarily a machine will remain. Also, is the sole idea of a piece of work enough? Individuality might get lost in the machine-making process, uniformity might take over. But then again, this can also be a very interesting approach to a body of work.

Arthur Hash NecklaceArthur Hash, Necklace

Screen Shot 2014-03-15 at 9.39.28 AMNervous System, Kinematics Jewelry in 3D printed nylon.

In fact, this approach is one point that I am quite interested in at the moment. I have a few ideas turning around the symbiosis of hand-made and 3D printed structures. I think that combining two different forms of making, in their process and the choice of material, will add a very interesting contrast to my future pieces. Another thing that I will add is a new topic that the work will turn around. In the spirit of contrast, that has always been a major motivator in my work, I have recently looked into the relationship of nature and humans again. This is an issue that has always been in the back of my mind. (Have a look at my ‘Booming Blooming‘ and ‘Globalores‘ series.) In my opinion, the modern human primarily takes from nature and does not give much back. There are major man-made natural catastrophes happening all around the globe, gene-manipulation in plants and animals becomes bigger and bigger etc. … and all in the name of consumerism without people thinking about the consequences. What will happen if humans ‘win’ and nature is gone at some point? Will we have to fabricate nature too? Will nature be a reminiscent of the past with all those new technologies ‘improving’ the natural ways of being?

Tech BeeThis image was recently sent to me by my sister-in-law. Will nature and technology work as one or will technology take over nature?

I will see where this path will lead me. It might take a while before I can show some actual finished pieces. Since I have never 3D printed anything before, I am not familiar with any 3D modeling programs. I am good in Illustrator but learning 3D will be a new task that might take a while. If anyone knows of any good, easy-to-learn and free 3D programs, please let me know! I appreciate all the help I can get.

But for now, thank you Janne Kyttanen for following me on Twitter this morning!

I apologize for the length of this post… I hope you made it this far! Until next time…

Thank you for reading!

Feel free to follow this blog.
Please have a look at my websites www.lisa-juen.com and www.proonk.com.
Feel free to follow me on Twitter @LisaJuenProonK and like my FB ProonK page.

Reading 1: Amy Tavern & Inspiration in Books

First, I hope you all had a great start in the New Year and that the ‘Year of the Horse’ will take you on a memorable ride in 2014!

I apologise for not having updated this blog in a while. For the last few weeks, I tried to concentrate more on ProonK, especially with all the Christmas business coming up and the artistic side of my making fell off the wagon a little.

Yesterday though was a great reminder of why I love to make Art Jewellery: I went to a lecture of Amy Tavern at the PrattMWP Institute yesterday afternoon. The lecture was very interesting. Amy talked about her upbringing in New York State, her college years and studies, her unusual way to recognising jewellery was her passion, over to more studies, living in Portland Oregon, starting off making mainly production work until she realised that the artistic aspect was missing for her over to her work from the beginnings to now, her artist residency in Iceland and travels to Europe and finally her current life back at home with the family. I always find that listening to other people talk about their work has a very uplifting effect on me. I admire many makers for what they are doing and what they have done in their work. Seeing the paths other people took to get where they are is very inspirational. Meeting and talking to fellow artists is the best support system one can think of. It was great meeting Amy yesterday and chatting about bits and bobs. It really is crucial to talk about work to keep moving forward.

amy tavern Blow Clusters, Amy Tavern

After my meeting with Amy, I felt very inspired and I decided to use the evening to revisit the basics of making to get a fresh perspective on things: Increasing knowledge and finding new inspiration. I felt very energised last night, so I ordered eight new books online (two were mentioned in Amy’s lecture) and I went through my bookshelf to pull out all the books that I either started to read or always wanted to read.

I also unwrapped my camera. I have a very special relationship with it: It is a Rolleicord double-lens camera from 1957 and I got it from Ebay when I was 18. It is called James. The reason I got this old-timer was because I am not a huge fan of digital photography. For some reason it just does not feel right pushing a button and the camera does all the work for you. I like the old fashioned handling of it and the feeling of actually having ‘made’ something. So, James is ready to go and I hope that I can take him out for a walk over the weekend.

james James, the 1957 Rolleicord camera.

Here is also a list of the books I found in my shelf that I intend to read in the next few weeks/months, in case you are interested in good Art & Design books. I might write reviews on a few of them to let you know why I believe they are a great read.

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Jewellery Design and Development‘ by Norman Cherry (Yes, my work is featured in the book but this is not the only reason why you should read it! 😉 As I said, it is always inspiring to hear or read how other makers create their work and this book is as close as you can get to a jeweller’s bench and mind without actually talking to them.)

Curating Subjects‘, Paul O’Neill (Knowing about curating is always great when being a maker. An idea for a great show can be an awesome inspiration for a new body of work.)

Reasons for Knocking at an Empty House‘, Bill Viola(This is Bill Viola’s sketchbook and writings from 1973 to 1994. I LOVE his work. One of the greatest books I was ever recommended to read. It has been on and off my nightstand for the last seven years.)

Sculpting in Time‘, Andrey Tarkovsky (Just like Viola’s book, Tarkovsky’s writing have been recommended to me by my former MA tutor Jivan Astfalck. Great insights in the creative process, life and time.)

Instant Light‘, Tarkovsky Polaroids (I found this book when I still lived in Shanghai. I fell in love with the way light was presented and highlighted in these rather simple, every-day shots. Light is such an important element in making art!)

What is Contemporary Art?‘, e-flux journal (This one will be a tough one to read but a question that I am interested in finding discussed.)

The Art of the Novel‘, Milan Kundera
(Interviews with Kundera about writing and creating art and quite much more.)

The Trend Forecaster’s Handbook‘, Martin Raymond (Great book about how to foresee and I guess ‘make’ trends. Definitely interesting to know but I think it needs to be digested with caution in order to keep on making art with an unbiased mind.)

Abecedarium‘, Peter Bauhuis (Personal dictionary about Bauhuis’ work. A great farewell gift from a friend in Shanghai.)

How to be a Graphic Designer without losing your Soul‘, Adrian Shaughnessy (Professional insights are always appreciated, especially when they are meant to maintain personal integrity.)

Thank you for reading. I always appreciate your input and comments.

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#5 Work in Progress: Here is to Onions

I guess it is not a secret to say that I am really into crocheting and enameling silver wire at the moment. I find those two techniques very nicely combine and stand for the work that I have been making for the last few years. There is a reconnection to my MA work, which I really see as the collection of work that had me take my first steps into the contemporary jewellery world, but with experience and impressions that are six years older.

I have been living in Utica, NY now for a good year and I think I can say that things have settled in. My studio is running, I could establish some sort of a routine. ProonK is hopefully going to turn another corner soon and I do get the occasional commissioned work, which I quite like since it is a nice little break in my studio life. Now, I am not primarily a world traveler anymore but my settling and building era has begun.

So far, I had been concentrating on my travels, when it came to finding inspiration for new work. Now, that I barely leave the studio, the angle of my point of view has shifted from the outside to the inside. Again, another nice connection to my MA work. I feel more like a studio hermit now than a world nomad.

Looking back on what I was allowed to experience so far, and I think this is transferable to a lot of people, I find that life comes in different stages, different eras. Each era shapes us and constantly reforms who we are.

I have mentioned in an older Blogpost already (#4 Work in Progress: About Onions & Foxgloves) that I find that the human being is very much comparable to the being of an onion. The more we age and experience, the more layers we grow, the more beautiful we become. Just like a human, an onion shares many characteristics. They can be a delicious spice for a great soup or they can be rotten to the core, once one cuts them open. They are a great helper in keeping one healthy but ever so often they like to make one cry. The story of the onion is hidden in its layers, just like the story of a human is hidden in their eras.

So, here is to human onions. Or onion humans? Here is to onions.

Screen Shot 2013-07-23 at 4.59.18 PMThis is the first piece I made in the ‘Onion’ series. It is a brooch that is called ‘Sadonion’. The piece is made from crocheted silver wire with enamel, agate, cubic zirconia and a hand-pierced surgical stainless steel back. I decided to move away from using laser-cutting in this series of pieces, since the hand-piercing process gives the work a more personal, human touch.

Screen Shot 2013-07-23 at 4.59.10 PMThis is the back of ‘Sadonion’. In this piece, the outside layer of the enamel-onion is ‘sewn’ onto the back-structure with stainless steel wire to secure the front. The other onion layers are not attached, so they can move around when worn.

glamonion frontThis is the second piece I made, called ‘Glamonion’. The piece can be worn as a brooch or a necklace. The necklace-chain can be hooked into the loops on the back of the piece. ‘Glamonion’ is made from crocheted silver wire with enamel, lemon quartz, cubic zirconia and hand-pierced surgical stainless steel. Apart from the outside onion layer, the other layers are not attached and can move around when the piece is worn.

glamion backBack of ‘Glamonion’

glamonion back with chain Back of ‘Glamonion’ with chain.

Screen Shot 2013-07-23 at 5.13.39 PMFuture onions.

Thank you for reading.

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Happy Earth Day 2013!

Today was a day I have impatiently been waiting for… Today is Earth Day and with this came a fabulous excursion this morning to the Empire Recycling Corporation in Utica NY.

Each year, Empire Recycling opens its doors for the artists from Sculpture Space to have them pick whichever scrap metal they like ($100 max) in order to make an art piece for Sculpture Space‘s CHAIRity Auction in September.

This year was the first time I was part of this event and since I am a HUGE fan of places like recycling yards, I was literally in paradise!

When walking through endless rows of boxes, containers and mountains of all sorts of different metals, I decided to focus on copper scrap. For quite a while, I have been thinking about leaving my jewellery comfort zone and make bigger, more sculptural pieces, possibly wall panels and wall installations. I would like to experiment with different layers, partly enameled (hence the copper), some of my personal drawings, mounting techniques, three-dimensionality, organic/human characteristics and industrial influences, questioning the ‘real & fake’ and ‘action & consequence’ in the human being.

Here are a few pictures I took during my hunt through Empire Recycling. I can’t wait to start the new project!

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Screen Shot 2013-04-22 at 6.43.11 PMThese are the pieces I picked. I mainly collected copper parts with a few brass and stainless steel bits from now and then. Aren’t they beautiful?!

Thank you for reading.

Feel free to follow this blog.
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#4 Work in Progress: About Onions & Foxgloves

Since my return from Munich a couple of weeks ago, I have been pretty busy in the studio.

Right now, I am still trying to find a balance in between pushing my artistic practice, working on ProonK and working on commissions. Yes, I have been lucky and a very great lady commissioned me to make her four jewellery stands for her earrings. I have started to work on the first stand and I am pretty excited about it. It will not be a regular jewellery tree but it will have an arty twist to it.

First to my artistic practice: As you know, in my last three pieces, I started to experiment with enameling silver wire and I got quite intrigued by it. It is the perfect way to combine my love to knit and crochet with enameling. The result are those very intriguing pieces that take me right back home to my grandma’s place. Tradition meets modern, past meets present. So, I experimented a little with shape and colour and made a few pieces that I am very happy about.

At the moment, my mindset turns around the idea of how much does traveling shape your being in terms of finding/having a home. … and what is home or Heimat?

I tried to sort out my mind by writing a short artist statement the other day. It always helps to put the ‘idea-soup’ on paper.

‘If you engage in travel, you will arrive’ -­‐ Ibn Arabi (1165-­‐1240)

 

One of my passions is traveling. I like to be and live in new places that, at times, are very different from my own cultural experiences and upbringing. For the last eight years, I have lived in constantly changing ‘homes’, moving as much as nine times.

 

My most recent move in June last year was of a different kind. This time, it is a permanent move. With the new location, not only my physical coordinates have changed but also my mindset. For the first time in over eight years, I find myself in a place I can call a ‘real home’.

 

But what is ‘home’? Can I call the short-­‐term ‘homes’ of my travels in the UK and China ‘real homes’ too or should I refer to those as ‘homes in transit’? What makes a ‘real home’ and how does it differ from the ‘home of my upbringing’, my German ‘Heimat’?

 

With this thought in mind, I am also intrigued to find out where my past experiences mix; the ones that shaped me through my German upbringing and childhood, the ones I got introduced to on my numerous travels and the ones that I make now, living in my new ‘real home’ in the USA, away from my German ‘Heimat’.

 

How much does travel shape one’s being?

 

In my new work, I would like to combine my German roots, things that make me feel at home and remind me of Germany, things that bring me back to my childhood, the cheesy and the corny… with impressions I gathered on my travels, things I learned on the way about other people and cultures but also about myself… with now being rooted in a place and yet another new culture for the first time after having left Germany.

Quite a while ago, I watched the movie Shrek and I remember him saying that he was an onion. He said he had layers. I feel the same way. I am an onion too. I am made from international layers that shine in different colours.

Screen Shot 2013-04-05 at 12.32.30 PMThis was the first piece I enameled. The coloured layers are not attached, so once mounted, they can move in their little areas without falling out.

Screen Shot 2013-04-05 at 12.33.09 PMHere, I tried to combine the enameled piece with other materials. I am very much interested in working with wood and striped agate at the moment in combination with the stainless steel and the cubic zirconia.

Screen Shot 2013-04-05 at 12.33.28 PMAnother composition.

Screen Shot 2013-04-05 at 12.32.03 PMThis is the second piece. It is meant to be part of a neckpiece at some point. I have a few ideas but nothing is set in stone yet. 

Screen Shot 2013-04-05 at 12.31.25 PMThe layers of this piece can move too, resulting in a really great sound! I also love the transparency of the piece, seeing different colours shine through from now and then.

Simultaneously, I have been working on the ProonK front. On April 1st, I opened my ProonK Etsy Shop… and no, this is not an April fools’ joke! Please check it out, let me know what you think and occasionally get something small for you loved ones, please!

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There will also be a line of new pieces to come soon. I am working with high-speed on the new designs, featuring enameled lace! I can’t wait to have everything wrapped up soon! I am super excited!

Screen Shot 2013-04-05 at 12.33.54 PMThis is a prototype of a lace earring. There will be two half spheres making up a ball that will hang from the part with the stone. ( Disregard the colour combination. It was just a test.)

Last but not least, here are some pics of the jewellery stand I was commissioned to make. The shape is based on a foxglove. The single flower heads are made from enameled wire as well. The stem will be made from stainless steel. On the top of the flower will sit a dragonfly that can hold the earrings in its wings.

Screen Shot 2013-04-05 at 5.35.04 PMA few of the foxglove flower heads in dark and light purple.

Screen Shot 2013-04-05 at 5.35.38 PMFoxglove flower head in dark purple.

I hope you like my latest studio progress! Let me know what you think, please!

Thank you for reading.

Feel free to follow this blog.
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‘Die Zikade’ (‘Cicada’)

Today, I finished the first of three pieces I will show at ‘Guck ins Schmuckloch, Schmuck im Guckloch‘ in Munich in March. Please come by and see the work and the artists, if you are in town. We will all be very happy to welcome you!

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The piece is called ‘Die Zikade’ (‘Cicada’). ‘Die Zikade’ can be worn as a brooch or it can be attached to a chain to be worn as a neckpiece. I like to give more options to the wearer when standing in front of the mirror and deciding how to put it on.

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Screen Shot 2013-02-11 at 6.20.53 PM‘Die Zikade’, Brooch/Neckpiece, 2013; Stainless Steel, Silver, Enamel, Cubic Zirconia, Porcelain.

After having read Walter Benjamin’s ‘The Storytheller’ the other day, I had many more ideas and I started to experiment with a few more shapes and looks. It is still very early to talk about the future pieces in detail but I have a vision in mind. One that incorporates a lot of enamel, patina and all kinds of surface structures. …of course in contrast with stainless steel.

Here are the beginnings.

Screen Shot 2013-02-11 at 6.05.05 PMI am still intrigued with ‘roots’. Right now, I am playing with shapes and connections. It is not as visible yet but there is a lot more in my head.

Screen Shot 2013-02-11 at 6.05.28 PMInspiration: I found this piece in the scrap metal box of the School of Jewellery during my student days. I don’t know who made it or why it got thrown out but I found it very intriguing and I took it with me. It has stayed with me for more than five years now. During that time, it has changed quite a lot. Initially, it only had a little bit of patina on it. Now, the patina is much more defined. I love to see how nature takes possession of the piece.

More to come soon. Let me know your thoughts! Thank you.

Feel free to follow this blog.
Please have a look at my websites www.lisa-juen.com and www.proonk.com.
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Inspiration – Walter Benjamin: ‘The storyteller’

I read Walter Benjamin‘s essay ‘Der Erzähler’ quite a while back. A couple of days ago, I stumbled over it again. Walter sums my thoughts up beautifully and he gives them a sense of direction. (Scroll down for the English version.)

Auszüge aus Walter Benjamin’s ‘Der Erzähler’

‘“Wenn einer eine Reise tut, so kann er viel erzählen”, sagt der Volksmund und denkt sich den Erzähler als einen der von weither kommt. Aber nicht weniger gern hört man dem zu, der, redlich sich nährend, im Lande geblieben ist und dessen Geschichten und Überlieferungen kennt. … Die reale Erstreckung des Reiches der Erzählungen in seiner ganzen historischen Breite ist nicht ohne die innigste Durchdringung dieser beiden archaischen Typen denkbar. … Der sesshafte Meister und die wandernden Burschen werkten in den gleichen Stuben zusammen; und jeder Meister war Wanderbursche gewesen, bevor er in seiner Heimat oder in der Fremde sich niederliess. … In ihm verband sich die Kunde von der Ferne, wie der Vielgewanderte sie nach Hause bringt, mit der Kunde aus der Vergangenheit, wie sie am liebsten dem Sesshaften sich anvertraut.

(Die Erzählung) führt offen oder versteckt ihren Nutzen mit sich. Dieser Nutzen mag einmal in einer Moral bestehen, ein andermal in einer praktischen Anweisung, ein drittes in einem Sprichwort oder in einer Lebensregel. … Rat in den Stoff gelebten Lebens eingewebt ist Weisheit.

Auf der anderen Seite erkennen wir, wie mit der durchgebildeten Herrschaft des Bürgertums, zu deren wichtigsten Instrumenten im Hochkapitalismus die Presse gehört, eine Form der Mitteilung auf den Plan tritt, die, soweit ihr Ursprung auch zurückliegen mag, die epische Form nie vordem auf bestimmende Weise beeinflusst hat. Nun aber tut sie das. … Diese neue Form der Mitteilung ist die Information. … Jeder Morgen unterrichtet uns über Neuigkeiten des Erdkreises. Und doch sind wir an merkwürdigen Geschichten arm. Das kommt, weil uns keine Begebenheit mehr erreicht, die nicht mit Erklärungen schon durschsetzt wäre. Mit anderen Worten: beinah nichts mehr, was geschieht, kommt der Erzählung, beihnah alles der Information zugute. Es ist nämlich schon die halbe Kunst des Erzählens, eine Geschichte, indem man sie wiedergibt, von Erklärungen freizuhalten. … Das Ausserordentliche, das Wunderbare wird mit der grössten Genauigkeit erzählt, der psychologische Zusammenhang des Geschehens aber wird dem Leser nicht aufgedrängt. Es ist ihm freigestellt sich die Sache zurechtzulegen, wie er sie versteht, und damit erreicht das Erzählte eine Schwingungsbreite, die der Information fehlt. … Die Information hat ihren Lohn mit dem Augenblick dahin, indem sie neu war. Sie lebt nur in diesem Augenblick, sie muss sich gänzlich an ihn ausliefern und ohne Zeit zu verlieren sich ihm erklären.   Anders die Erzählung; sie verausgabt sich nicht. Sie bewahrt ihre Kraft gesammelt und ist noch nach langer Zeit der Entfaltung fähig.  …

Geschichten erzählen ist ja immer die Kunst, sie weiter zu erzählen, und die verliert sich, wenn die Geschichten nicht mehr behalten werden. Sie verliert sich, weil nicht mehr gewebt und gesponnen wird, während man ihnen lauscht.

“Der heutige Mensch arbeitet nicht mehr an dem, was sich nicht abkürzen lässt.” (Paul Valéry)  … Wir haben die short story erlebt, die sich der mündlichen Tradition entzogen hat und jenes langsame Einander-Überdecken dünner transparenter Schichten nicht mehr erlaubt, das das treffendste Bild von der Art und Weise abgibt, in der die vollkommene Erzählung aus der Schichtung vielfacher Nacherzählungen an den Tag tritt.

Extracts from Walter Benjamin’s ‘The storyteller’ 

“When someone goes on a trip, he has something to tell about,” goes the German saying, and people imagine the storyteller as someone who has come from afar. But they enjoy no less listening to the man who has stayed at home, making an honest living, and who knows the local tales and traditions. … The actual extension of the realm of storytelling in its full historical breadth is inconceivable without the most intimate interpenetration of these two archaic types. …The resident master craftsman and the traveling journeymen worked together in the same rooms; and every master had been a traveling journeyman before he settled down in his home town or somewhere else. … In it was combined the lore of faraway places, such as a much-traveled man brings home, with the lore of the past, as it best reveals itself to natives of a place.

(The story) contains, openly or covertly, something useful. The usefulness may, in one case, consist in a moral; in another, in some practical advice; in a third, in a proverb or maxim. … Counsel woven into the fabric of real life is wisdom.

On the other hand, we recognize that with the full control of the middle class, which has the press as one of its most important instruments in fully developed capitalism, there emerges a form of communication which, no matter how far back its origin may lie, never before influenced the epic form in a decisive way. But now it does exert such an influence. … This new form of communication is information. … Every morning brings us the news of the globe, and yet we are poor in noteworthy stories. This is because no event any longer comes to us without already being shot through with explanation. In other words, by now almost nothing that happens benefits storytelling; almost everything benefits information. Actually, it is half the art of storytelling to keep a story free from explanation as one reproduces it. … The most extraordinary things, marvelous things, are related with the greatest accuracy, but the psychological connection of the events is not forced on the reader. It is left up to him to interpret things the way he understands them, and thus the narrative achieves an amplitude that information lacks. … The value of information does not survive the moment in which it was new. It lives only at that moment; it has to surrender to it completely and explain itself to it without losing any time. A story is different. It does not expend itself. It preserves 􏰃 and concentrates its strength and is capable of releasing it even after a long time.

For storytelling is always the art of repeating stories, and this art is lost when the stories are no longer retained. It is lost because there is no more weaving and spinning to go on while they are being listened to.

“Modern man no longer works at what cannot be abbreviated.” (Paul Valéry) … We have witnessed the evolution of the “short story,” which has removed itself from oral tradition and no longer permits that slow piling one on top of the other of thin, transparent layers which constitutes the most appropriate picture of the way in which the perfect narrative is revealed through the layers of a variety of retellings.

Click here to read the full essay in German.
Click here to read the full essay in English.

Thank you for reading.

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