Utica Uptown Downtown Art Fair 2015

I can’t believe it has almost been a year, since I wrote my last post. Of course there has been a lot going on and there has been some progress in the studio but things have slowed down due to a little addition to the family.

However, it’s that time of the year again… the time of the Third Utica Uptown Downtown Art Fair. Just like last year, I will be showing alongside some amazing makers from the Utica area and I am very excited to participate again. This time around, ProonK will be showing at the 4 Elements Studio, an awesome artist space that is run by ceramicist Vartan Poghosian. 4 Elements Studio is located on the top floor of a prior school building on Washington Street and Vartan rents out additional rooms to other artists that also love the fresh artistic breeze that is blowing trough a revitalized Downtown Utica. If my studio was not downtown already, the ProonK Studio just recently moved to Elizabeth Street, I would have loved to be part of Vartan’s artist collective. The space is truly special with it’s old school vibe and cute little studios.

Next to 4 Elements Studio, more than 15 artists are going to show in three additional spaces: The Other Side Gallery, Sculpture Space and Oneida Square Project Public Art & Design.

Participating artists are:

@Sculpture Space:
Kim Carr-Valdez
Paul Valdez

@ 4 Elements Studio:
Vartan Poghosian
Victor Lenuzza
Celeste Friend
Art Baird
Cynthia Baird
Shannon Stockbridge
Rosette Schureman
Kathy Donovan
Steve Nyland
Marc Tucci
Betty Murtagh
Proonk Jewellery

The Other Side Gallery and the Oneida Square Project Public Art & Design will show a wide selection of local artists featuring ceramics, photography, paintings, prints, drawings and mosaic products for business and home.

Here is the official poster with directions and all the fabulous artists:

utica uptown downtown art fair 2015

I would very much like to encourage everyone who is interested in going to try to make it to all four locations, since there is a great chance to win a raffle prize made by the artists.

The show will be held on November 28th and 29th from 10am-5pmwww.uticaartfair.com

Thank you for reading.

Feel free to follow this blog.
Please have a look at my websites www.lisa-juen.com and www.proonk.com.
Please follow me on Twitter @LisaJuenProonK and like my FB ProonK page.

Schmuck #1: Guck ins Schmuckloch, Schmuck im Guckloch

Last week, from March 5th to March 10th, I was in Munich for the ‘Schmuck‘ show curated by the Handwerkskammer Muenchen. Schmuck is the empress of exhibitions, when it comes to contemporary jewellery exhibitions in Europe and each year, there are thousands of jewellery enthusiasts storming the city to see the show.

Because of the huge rush of people, there are a lot of little independent satellite exhibitions on show throughout the city that are organized by all sorts of jewellery artist, students and galleries. In my student days, it was still possible to go and see all of those little shows. However, during the last few years, the list of exhibitions has become so long that it is physically impossible to go and see them all in six days. This time, when I went through the flyer that comes with each Schmuck madness, I had to sit down and study it hard to make a decision on where to go. I will write about a few selected exhibitions in the following posts.

Now, I would like to start with showing you the set-up and look of the show ‘Guck ins Schmuckloch, Schmuck im Guckloch’ that also featured my three most recent pieces. You already know ‘Cicada’. It’s time you get to see ‘Starlight’ and ‘Green Roots’.

Here are pictures of the show:

Screen Shot 2013-03-11 at 3.48.32 PM

Screen Shot 2013-03-11 at 3.46.32 PMSina Emrich during the set-up of the show. It was Katharina Moch‘s and Elena Ruebel‘s idea to paint the window and present the pieces through holes that were scratched free from the paint. This type of set-up made it possible for all of us to walk through the city and have a look at other exhibitions ourselves without having to be present in the gallery. 

Screen Shot 2013-03-11 at 3.46.50 PM
Elena Ruebel painting the window.

Screen Shot 2013-03-11 at 3.48.23 PM

Screen Shot 2013-03-11 at 3.52.26 PM

Screen Shot 2013-03-11 at 3.52.46 PM     Elena Ruebel‘s newest work. Her porcelain pieces (she calls them her sausages!) and coloured rope.

 

Screen Shot 2013-03-11 at 3.49.40 PMKatharina Moch‘s organic plastic jewellery.

Screen Shot 2013-03-11 at 3.49.28 PMTabea Reulecke‘s wood creations.

Screen Shot 2013-03-11 at 3.49.13 PM              Sina Emrich‘s movable growth-ring jewellery.

Screen Shot 2013-03-11 at 3.47.25 PM ‘Cicada’, the first of my newest tree pieces made from enamel, silver, stainless steel cubic zirconia and a porcelain cicada I found in Shanghai.

The exhibition was on show from March 5th to March 10th at Galerie im Raum in Munich.

…and here are the other two of my newest pieces, ‘Starlight’ and ‘Green Roots’.

guck ins schmuckloch, schmuck im guckloch

starlight 72‘Starlight’, brooch/neckpiece, silver, enamel, stainless steel, cubic zirconia, lamp piece from a very dusty artist studio in shanghai, glass.

green roots with chain 72

green roots 72 ‘Green Roots’, brooch/neckpiece, silver, enamel, stainless steel, cubic zirconia, tiles from a demolition site in shanghai, glass.

I hope you like the show and my new work. Let me know what you think!

Feel free to follow this blog.
Please have a look at my websites www.lisa-juen.com and www.proonk.com.
Feel free to follow me on Twitter @LisaJuenProonK and like my FB ProonK page.

Plasma Cutting, Sandblasting & Powder Coating

Recently, I spent quite a bit of time researching tools and metal-working techniques again and I thought it would be nice to share the information and maybe get some professional tips from you guys.

Plasma Cutting: The reason why I had a look into plasma cutting was because of my frequent use of laser cut elements in my art & design work. Ideally, I would LOVE to have my own lasercutting machine but even the used ones are still super pricey. The second-hand machines I found that are capable of cutting 1mm stainless steel sheet started around $20k. This is a price I can’t afford at the moment… not sure if I ever will but I very much hope I might be able to purchase one further down the road.

As ‘Plan B’, I heard about the possibility to plasma cut pieces and I decided to have a look into that technique. I found a company, PlasmaCAM, that offers plasma cutting systems. The system is made from a cutting table that holds a hand-held plasma torch and plugs into your personal computer (needs to be Windows). It comes with a software that enables you to cut customized shapes. I watched the demo-video and it seems pretty easy to me to operate. The system does not come with a plasma torch, so this machine needs to be bought separately. I guess this is good on one side, given that you can choose yourself which machine to work with and how pricey it can be. On the other hand it is an additional cost. I called up the guys from PlasmaCAM to inquire about the price of the 4×4 table, which comes to $6980. I was further told that a plasma torch for my needs would approximately be around an extra $2000. The shipment of the table would approximately come to $190, so the final price is somewhere around $10k. For me, this is still a pretty steep price that I cannot afford right now but I am happy to know that there is something out there that I could use for big designs further down the road. For my jewelry, I think I will have to stick to lasercutting after all. The cutting line of the plasma cutter is too wide for my designs. I need to be able to get more into details. Also, I heard that the cut on the back can be pretty messy and needs a lot of cleaning. I wonder if this depends on the plasma torch one uses? Probably also speed and temperature?

PlasmaCAM cutting table

Sandblasting: Further I had a look at a sandblasting machine. I will need one for my enameling-work and I was once again surprised by Rio Grande. (My new pink kiln arrived by the way and it waits for me to start working with it once the studio is set up. Read more about the pink enameling kiln story on the Rio Grande ‘The Studio’ blog ‘A Kiln of a Different Color’ and my research on ‘Enameling Kilns’). For the studio in Shanghai, we bought a sandblasting cabinet from Italy that I believe was around 2000€, so I started having a look at DIY home-built options, since I did not want to afford that much. Luckily, it seems like I will not have to go that far and build it myself, since I found a cabinet, the ‘Small Benchtop Pencil-Style Bead Blaster’ on the Rio Grande website starting from $145. It is not massive but big enough for my use and they also offer a bigger version for $185. All you need in addition is an air-compressor, which comes to $150-200.

Rio Grande ‘Small Benchtop Pencil-Style Bead Blaster’

Powder Coating: Yesterday night, Barry and I went to visit the Meyda Lighting company and workshop in Utica NY, and I was amazed by the dimension of their production! This place is glass and metal-working paradise! They really build all their beautiful lamps from scratch. Even the metal parts are hand-made. I was very impressed.
During the tour, we passed the powder-coating facility, which intrigued me quite a lot. I love using color in my work and I had heard of the technique before but I did not know how to use it. I conducted some research on it this morning and to my surprise, it does not seem to be complicated at all. I think I will give it a go in the near future. Have a look at this DIY garage-made video to see how it works.
Further, I had a look at the Eastwood website, a company that specializes in automotive parts and powder coating. They offer powder coating kits from $99.99 for the ‘Original HotCoat Powder Coating Gun’ and $169.99 for the ‘Eastwood Dual Voltage HotCoat Powder Coating Gun’. They also offer pretty attractive starter kits. In addition to the gun and the powder, you need a compressor and either a toaster oven or normal cooking oven that reaches a temperature of 400F.

Eastwood ‘Dual Voltage Powder Gun Starter Kit’

The World’s Largest LED Free-Hanging Chandelier was designed, engineered and installed by Meyda Lighting for the historic Stanley Center for the Arts in Utica, New York.

I am still trying to get everything together for my studio and nothing is set in stone yet, so if you have suggestions or better information on the mentioned tools, please let me know. I would appreciate your opinions and experiences.

Thank you for reading.
Please have a look at my websites www.lisa-juen.com and www.proonk.com.
Feel free to follow me on Twitter @LisaJuenProonK and like the FB ProonK page.

‘Nāmanja’ & ‘Solipsistic’

Recently, I wrote about a piece I made for my friend Anja’s birthday. (Read about the beginnings here: Wave Structures & Loudlives.)

At that time, her birthday was yet to come so, I could not post any pics. Now, I am proud to introduce the finished piece called ‘Nāmanja’. The title derives from the Hawaiian sea goddess Nāmaka and my friend’s first name. Since she is a devoted surfer who loves the Hawaiian islands, I thought it would be a nice touch to go with the sea goddess.

The enameled blue and white piece in the center is inspired by a wave photograph that was taken by Hawaii artist Clark Little. The flower and the blue stones are my way of expressing the feelings I have about Anja: Depth, pain, pride and blue are the first words that pop into my mind when I think of her. Also, vulnerability and strength.

Shortly after the completion of ‘Nāmanja’, another very close friend, Rachel Marsden, had her birthday coming up. Rachel and I met in Shanghai through work. Rachel, and also Anja, are two people who are for me what Rachel usually refers to as ‘corner-stone-friends’.

The piece for Rachel is a very personal one. It started off with Rachel’s favourite word ‘Solipsistic’, a word that has a very special meaning for her and that comes with a nice little story that she sometimes tells people. Rachel is a person who is lost in the world of words. She is obsessed with letters and alphabets, typewriters and books. She is a mega-blogger and a workaholic. Wherever she goes, she takes her camera to take millions of pictures of people, art and food. Sometimes she complains though that not enough people take pictures of her. So, I decided to incorporate her image in the piece. The center showing Rachel’s portrait is made of enamel. Other materials are stainless steel, cubic zirkonia and glass.

Front of the brooch.

Back of the brooch.

The designing and making of those two pieces was pretty straight forward for me. I usually spend a lot of time overthinking every little detail of all of my pieces and I tend to overcomplicate them at times. I quite enjoy the process of designing them but I have to admit that I found that working more from the belly (and not just the brain) can be quite rewarding and satisfying too. I think making a series of smaller, faster ‘belly’-pieces will be something that I will have to experiment with, once I have my new studio up and running. Looking forward to it. I hope you too!

Please have a look at my websites www.lisa-juen.com and www.proonk.com to see more jewellery and join my Twitter @LisaJuenProonK and the ProonK FB page. Thank you.